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Reference

The camera glossary.

Plain-English definitions of the camera and filmmaking terms that actually matter — aperture, shutter speed, ISO, depth of field, frame rate, log footage, and more.

  • Exposure8
  • Lenses & optics8
  • Composition & light6
  • Motion & video10
  • Color & post5
  • Cameras & sensors3

Exposure

  • Aperture

    Aperture is the adjustable opening inside a lens that controls how much light reaches the sensor and how much of the scene stays in focus.

  • Dynamic range

    Dynamic range is the span between the darkest shadow and the brightest highlight a sensor can record in a single frame without losing detail.

  • Exposure triangle

    The exposure triangle describes how aperture, shutter speed, and ISO interact — change one and you must change another to keep the same brightness.

  • F-stop

    An f-stop is the ratio of focal length to aperture diameter, the standard scale for describing how much light a lens lets through.

  • Histogram

    A histogram is a graph of tonal distribution in an image, showing how many pixels fall at each brightness level from black to white.

  • ISO

    ISO measures how strongly a camera amplifies the signal from its sensor, letting you shoot in low light at the cost of visible noise.

  • Neutral density filter

    A neutral density filter is darkened glass that cuts light entering the lens without shifting color, enabling wide apertures or slow shutters in bright conditions.

  • Shutter speed

    Shutter speed is how long a camera's sensor is exposed to light, controlling both image brightness and how motion is frozen or blurred.

Lenses & optics

  • Bokeh

    Bokeh is the aesthetic character of the out-of-focus areas in an image — not how much blur there is, but how that blur looks.

  • Chromatic aberration

    Chromatic aberration is the color fringing that appears when a lens fails to focus all wavelengths of light at exactly the same point.

  • Depth of field

    Depth of field is the range of distance in a scene that appears acceptably sharp, from a paper-thin sliver to nearly everything at once.

  • Focal length

    Focal length, measured in millimetres, determines how wide a view a lens captures and how strongly it compresses distance between objects.

  • Polarizing filter

    A polarizing filter blocks light waves oscillating in particular orientations, cutting reflections and glare and deepening skies.

  • Prime lens

    A prime lens has a single fixed focal length, trading zoom convenience for wider apertures, better optics, and smaller size.

  • Vignetting

    Vignetting is the darkening of an image toward its corners, occurring as an optical flaw and applied deliberately as a stylistic device.

  • Zoom lens

    A zoom lens covers a range of focal lengths in one body, trading some optical quality and maximum aperture for reach and flexibility.

Composition & light

  • Aspect ratio

    Aspect ratio is the proportional relationship between a frame's width and height, from boxy 4:3 to ultra-wide 2.39:1 cinemascope.

  • Blue hour

    Blue hour is the twilight window before sunrise and after sunset when the sun is below the horizon and remaining light turns deep blue.

  • Dutch angle

    A dutch angle tilts the camera so the horizon runs diagonally, producing a deliberate sense of unease, disorientation, or instability.

  • Golden hour

    Golden hour is the period shortly after sunrise and before sunset when low-angle sunlight turns warm, soft, and directional.

  • Leading lines

    Leading lines are real or implied lines within a scene that guide the viewer's eye toward the subject or through the frame.

  • Rule of thirds

    The rule of thirds divides the frame into a three-by-three grid and suggests placing key elements along those lines or at their intersections.

Motion & video

  • B-roll

    B-roll is supplemental footage cut alongside the main subject or interview, providing visual context and giving the edit room to breathe.

  • Frame rate

    Frame rate is how many individual images a camera records per second, which sets both the perceived look of motion and the potential for slow motion.

  • Global shutter

    A global shutter exposes and reads every pixel on the sensor at the same instant, eliminating the skew and wobble of rolling shutter.

  • Hyperlapse

    A hyperlapse is a time-lapse in which the camera moves substantial distance between frames, producing accelerated motion through space as well as time.

  • Jump cut

    A jump cut is an edit between two similar shots of the same subject, creating a deliberate and visible discontinuity in time.

  • Match cut

    A match cut joins two shots that share a similar shape, motion, or composition, using the visual rhyme to carry the viewer across a transition.

  • Rolling shutter

    Rolling shutter is the skew and wobble that appears when a CMOS sensor reads its rows sequentially rather than capturing the whole frame at once.

  • Shutter angle

    Shutter angle is the cinema convention for expressing exposure time relative to frame rate, with 180 degrees producing natural-looking motion blur.

  • Stop motion

    Stop motion animates physical objects by photographing them one frame at a time, moving them slightly between each exposure.

  • Time-lapse

    A time-lapse captures frames at long intervals and plays them back at normal speed, compressing hours or days into seconds.

Color & post

  • Color grading

    Color grading is the post-production craft of shaping an image's color and contrast to establish mood, period, and visual consistency.

  • Log footage

    Log footage uses a logarithmic curve to record a wide dynamic range into a flat, low-contrast file that retains detail for grading.

  • LUT

    A LUT, or look-up table, is a file that maps input color values to output values, applying a consistent color transform in one step.

  • RAW vs JPEG

    RAW files preserve the sensor's unprocessed data for maximum editing latitude, while JPEGs are processed, compressed, and ready to share immediately.

  • White balance

    White balance corrects for the color of the light source so that objects which are white in reality look white in the photograph.

Cameras & sensors

  • Crop factor

    Crop factor is the multiplier that converts a lens's focal length to its full-frame equivalent field of view on a smaller sensor.

  • Point-and-shoot camera

    A point-and-shoot is a compact camera with a fixed lens and automatic exposure, designed to be carried everywhere and used without configuration.

  • Sensor size

    Sensor size is the physical dimensions of a camera's imaging chip, influencing light gathering, depth of field, noise, and lens field of view.

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